#anyway this show is great and I’m having a great time

[sunnylucy31]

Some asks I got for these in discord, reposting my answers here:

Pierce is on the spectrum, though she does a good job of masking most of the time (until you get her talking about her special interest which is stars and astrology (fun fact she can tell your star sign just by looking at you, very useful power)).

Frieda has BPD, and she handles it by not handling it (that is, she bottles up everything related to it, The Queen must not show weakness to subordinates). Her people don’t say her name and only refer to her as “the queen” out of respect, but a large part of her believes it’s because they disapprove of her (RSD will have you making logical leaps like that, it’s a bitch).

20. Frieda is often jealous of how tight knit her peoples’ bonds with each other are; as the queen she’s often excluded from that since everyone else puts her on a pedestal (as noted previously, they refer to her by title rather than name). More specifically she’s jealous of Hunter’s ongoing thing with Siren, as she’s been yearning for his attention for years and never received it (not in the way she wants, anyway). Again, she handles this by bottling it up, as the queen cannot be distracted by such trivial emotions. Good thing glass bottles are famously sturdy, this practice will surely continue to be a sound one.

If Maya is jealous of anything, it’s her peers’ ability to be content with tedium. With a perfect memory, she’s painfully aware of how much repetition the average day has, but her fellows don’t seem to notice, or if they do, don’t seem to care. Hell, some of them appear to find comfort in the routine, the normalcy. She attempts to shake this feeling off, but like everything else in her flawless recall, she can never entirely put it away.

25. My favorite aspects of both are going to be the angsty parts because apparently I’m a sadist.

For Frieda it’s the dehumanization. The Titans made her to be a living weapon. The gods branded her as an abomination for existing. And her own people turned her into a martyr, a Messiah figure that could prop up their fragile hopes. At no point does Frieda get to be Frieda; She’s Zero, or Priority Target One, or The Queen. Max will be the first person to treat her as human in a long time, and that’s going to be a profound moment for her that I really look forward to.

For Maya it’s going to be exploring all the detriments to a flawless memory and how the human psyche wasn’t meant to handle having that sort of ability. Imagine every mistake you’ve ever made, every abuse you’ve suffered, every pain you’ve felt, as crystal clear in your mind as the moment it happened. How do you heal? How do you move on? I do so love a good “your great power is really a curse” trope.

Frieda certainly wouldn’t think she could get away with it. Tenet Two of the demititans’ code is to do no willful harm against a fellow demititan, and to her mind she isn’t above the code. Her people on the other hand would feel differently. As I said above, they’ve turned her into their Messiah; all their hopes for survival rest in her. While it would be a deeply unsettling event for many, they’d find some way to justify it if only to keep her at the forefront, to keep her trying to save them.

4. Frieda’s innate instinct when scared is to freeze, followed by flee. Years of training have embedded a fight response in her, but part of her still feels the urge to run and hide when shit gets scary.

9. “Most gods throw dice, but Fate plays chess, and you don't find out til too late that he's been playing with two queens all along.” -Terry Pratchett

19. Rage makes Frieda’s calm and collected queenly mask fall away entirely. It’s the one emotion she’s never had much practice at containing, so when it comes out, it really comes out. Violence is basically a guarantee at that point.

Edgy/misc OC ask meme ᕕ( ᐛ )ᕗ

Send me a number and an OC, and I'll answer.

What memory would your OC rather just forget?

What's something about your OC that people wouldn't expect just from looking at them?

What is your OC's fatal flaw? Are they aware of this flaw?

When scared, does your OC fight, flee, freeze or fawn?

How far is your OC willing to go to get what they want?

How easily could your OC be convinced to do something that goes against their moral compass?

What's one way your OC has changed since you first came up with them?

Would your OC ostensibly be able to get away with murder?

Do you have a specific lyric or quote which you associate with your OC?

What's an AU that would be interesting to explore with your OC?

What is your OC's weapon of choice? Have they ever actually used it?

Is your OC self-destructive? In what ways?

If you met your OC, would the two of you get along?

How does your OC want to be seen by other characters?

Does your OC have a faceclaim? If so, who?

What is your OC's pain tolerance like?

What is the worst thing you have put your OC through story-wise?

Is your OC more cold and detached or up close and personal?

How does your OC behave when enraged?

Does your OC have a tendency to get jealous? If so, how does this manifest?

Does your OC have any illnesses or disorders? How do they handle it?

What character alignment would you consider your OC to be?

What emotion is the hardest for your OC to process? How about express?

What is an alternative life path your OC might have gone down? How different would their life be if they'd made those decisions?

What is your favorite thing about your OC?

[demonic0angel]

Anger Management prompt where there is a car accident, except it's in space, between Team Phantom and The Outlaws.

(Lmaoooo this is so freaking funny bc my sister got into a car accident just a week ago. She’s fine tho, dw)

“Fuck you!” The teenager immediately screamed. “Where the hell did you learn to drive?! Go back to school, fucking dumbass! You can’t even drive, you piece of sh—”

He was then pulled back by one of his friends, who grabbed him and dragged him back to their normal looking, definitely not broken spacecraft. A girl, dressed in a very distinctive style of goth, then made an awkward face, popped her gum, and said, “Sorry about him. He has really bad road rage.”

Jason’s eye twitched. “I can see that. So what’re we going to do now? You crashed into our spacecraft!”

“Well, you don’t have spaceship insurance, do you?” The girl drawled.

Jason was suddenly reminded of why he hated Tim Drake and Damian Wayne. They were goddamn insufferable, obnoxious, annoying, irresponsible teenagers.

Jason suddenly felt like he aged 20 years in an instant and wondered if this was what Dick felt like, being so old.

Roy patted him on the arm. “Want me to take care of this?”

Jason gestured for him to go ahead, already feeling a headache. Roy walked forward and smiled charmingly. “Hey, kiddo! So, it’s not a big deal that we got bumped into— happens all the time! But we just want to know where your parents are! And why you’re out in space! And how we’re going to get back to earth, since our shipped is now wrecked. You know what earth is, right? Earth is—”

“We know what earth is,” the same cursing teenager from earlier said with a snide tone, “We live there too.”

Roy and Jason blinked.

Then Jason spat, “Well, that doesn’t do us shit! We still have a wrecked spacecraft and we’re stuck here on this moon until you fix it! Don’t think you can just fly away! We’re stranded because of you brats!”

Kori then appeared out of the spacecraft and flew down to them all. The kids all immediately stopped, eyes wide in awe. She smiled and said, “Hello, children! Is there anyway you can help us? You did wreck our spacecraft after all.”

Immediately, in the most respectful tone Jason had ever heard, the two-faced brat from earlier then said, “I’m so sorry, miss. We didn’t think that anyone would be exploring this part of space out here, so we weren’t looking! We’re sorry. We don’t have the tools to fix it either.”

Jason’s entire face suddenly wanted to break out into the nastiest glare he could muster. So not only did this kid blatantly show favoritism to Kori (even if she was definitely super cool), he also couldn’t help at all despite the fact that he completely stranded them in space after being careless with a spaceship?

Kori frowned and they all shared a look. Now what? Jason could feel the migraine get more annoying and he almost wanted to pull out his gun just to kill some kids and feel better about his shitty fucking day, when the other teen, who had pulled away the feral brat, spoke up and said, “We can call Jazz!”

“Oh yeah! Jazz! Quick, Sam, call her up!”

Roy narrowed his eyes. “Who’s Jazz?”

“My big sister,” the brat said, “She’ll fix this.”

Great. Another annoying person who would only make his headache worse and possibly piss him off even further. However, just as he finished thinking this and sharing another annoyed look with Roy, a green portal opened up and a goddess stepped down.

She was tall, with a curvaceous figure wrapped in black and blue robes, as well as a fluffy cape around her shoulders. Her hair fell down over her back, colored red like fire and sunsets and tiger lilies, and her face was that of a statue, carefully designed, crafted, and admired by all. She was so beautiful and picturesque that the air around her seemed to glow like a halo.

Just looking at her made Jason’s sorrows disappear.

She blinked her fluttering eyelashes over her turquoise eyes and then asked, “What seems to be the problem?”

Her voice was so angelic that Jason didn’t even feel his headache anymore.

“Nothing now that you’re here,” Jason said dreamily.

“Oh my god,” Roy said, hand over his mouth as he stared at Jason in shock. Even Kori looked shocked and amused.

The boy with black hair shared a disgusted look with his friends. “I thought that would’ve been my line.”

[strawberry-halla]

hmmm am i the only one that thinks maybe veilguard could have benefited from a switching POVs mechanic with rook and the inquisitor?

i’m not entirely sure HOW it would work, but i think us longtime fans (or just me idk) would want to be actively part of the super blight in the south?

i think it could have also been a great “show not tell” idea because it’s very jarring and frankly annoying that we only know the south is having a bad time (tm) due to reading the missives from the inquisitor and them telling rook about it twice…

i know dragon age sticks to the “new protagonist” every game but if bioware is going to have the inquisitor come back make it big and make it impactful! make it better than hawke’s cameo in inquisition! breaking tradition is what every game does anyway! there is no status quo, do whatever!

[toothlespoggers]

I got silly and infodumped again…

The fact that crystalised despite being the worst ninjago season by far- showed that for a long time now, possibly since season 11 has had his emotions turned off. Is crazy to me. Because I know Cole had a pretty okay moment with Zane about it and he ended up turning it back on in the same season or maybe even same episode I can’t fully recall. But I don’t know how mentally fucked these characters are or what- but I feel like no one stopped to think about that for enough time. Like Cole, he’s a very caring, affectionate, empathetic guy. Yet even he didn’t really seem to register the implications this had for Zane’s mental health. Zane is filled with so much emotional turmoil that he physically couldn’t bear to feel anymore. And this group of traumatised young adults were like- “oh haha Zane, that’s so quirky, that’s so silly of you, haha relatable anyway-“ Like duuuude I don’t know if this is the writers wanting to avoid actually discussing mental health in a “children’s” show or if these characters have had such little emotional awareness and support through their lives, almost dying everyday since they were teenagers that they are so desensitised to the horrors tm that they literally cannot tell when someone is basically holding a sign over their head saying “I NEED SERIOUS HELP.”

That kinda says a lot about Sensei wu, doesn’t it? I mean he’s great we Stan- but he did kinda adopt a bunch of struggling teenagers and burden them with saving the world and then allowed them to put themselves in harms way for years, without ever sitting them down and asking them if they were okay, emotionally? Like I don’t know if this happened and I didn’t see it or if it was implied to happen off screen but I really doubt wu was any sort of a support system for these guys that treated him like a father figure.  

Maybe it’s because this cycle of pain goes back to wu as well, because he’s not the most stable person in the world either, but idk it feels crazy to me that these people that were basically family. Just- never checked in on eachothers well being or looked out for each others mental issues.

I mean they never really got a break and when they did- hell the only reason season 11 happened was because wu, so obsessed with the ninja being in tip top condition urged them to do something, which led these idiots to unleashing Aspheera and then ended up with probably the worst fate you could wish upon a Lego, for Zane. Seriously the fact they turned the ice emperor thing into a joke is so tone deaf to me like if this happened to your friend. In real life, (just suspend disbelief for a second) you would be absolutely GUTTED. You’d probably feel SO BAD. And that person? Probably can’t function like a normal individual anymore. Probably needs serious therapy.  Not a joke.

I don’t hate wu, I never did. But I just think he’s been very irresponsible with the way he’s handled his students and while he’s wise in some aspects 70% of problems in the show could’ve been avoided if this old man valued communication.

And if this isn’t based on the characters flaws. And it’s Lego refusing to discuss mental illness and mental health. COME ON LEGO IT WOULD EDUCATE YOUR YOUNG AUDIENCE ON PTSD, ANXIETY AND HOW TO HEALTHILY DEAL WITH YOUR PROBLEMS. Because right now, if you wanna deal with issues the ninja way, YOU BURY THEM AND TAKE THEM TO THE GRAVE AND YOU NEVER COMPLAIN OR REST.

All I want is at least one episode where it’s not all about the current bad guy or plot and it’s just about the ninja actually confiding in one another and trying to help their friends out. Maybe Zane or Lloyd finally snap and have a full mental breakdown and the only way to deal with it is for them to actually talk about it and work it out. I’m sure you can make a compelling episode with that in mind. They’ve tried to address mental health in the show with Lloyds anxiety arc thing in DR they need to do better.

We need a scene in DR where Zane and Frohicky are at the monastery while the other ninja are doing stuff, (maybe I’ll work out the details more and write something on this) and something happens where all the pain and trauma and just, awfulness just builds up in Zane’s mind and he just. Has a moment where he cracks. And he stops working on whatever he’s working on. And Frohicky notices the shift in the air and suddenly his entire demeanour changes and he comes over concerned and Zane is standing there or kneeling and Frohicky puts his hand on his shoulder and asks. “Are you okay?” And Zane just doesn’t know how to respond. He tries to shake everything off but he can’t, he’s never been asked that before. And Frohicky starts babbling on trying to help him and offers to get him set up so he can rest, and Zane doesn’t have the strength to object or the will to say anything and he’s just like.

“I.. don’t know.” In a final response to the previous question. 

And it’s just a scene where Zane accepts Frohickys gesture of kindness. And while not everything is fixed obviously. You can slowly see the tension leaving him.

Because it matters if someone asks you if you’re okay. It reaches into the darkest place and offers a hand saying “I’ll listen.” And that could genuinely change someone’s life.

[onestrangechild]

What your fav Legion says about you, from some nerd on an app

Ultramarines:

I like to think of you guys like Glock owners. Yes, on paper, you guys are the least creative but that means you guys are the most reliable. Guilliman was probably the best primarch to come back to the setting because he was the most stable, and it shows in his marines, who don’t have trauma for the sake of plot. You admire the other legions, but it’s the no nonsense approach they bring to battle that you respect the most.

For honor and glory.

Blood Angels:

You think Vampires are dope as Fuck, and you’re right. Your favorite TV show is probably season 1 of Netflix’s Castlevania (same) or HELLSING, and play the Vampire Counts in the Total War Warhammer games. You go into a seething rage at the merest mention of the WarMaster, and probably wanna rip Erebus’s hearts out and lay them before sanguinius’s feet. You’re probably a bit annoyed with people hiding their gear from you because they think you’re a Blood Raven, but you’ll forgive them in time.

Dark angels:

You think Medieval Knights are dope as Fuck, and you’re right. You dig the chivalry and honor they embody at all times, think dark green and gold looks drippy (it does), and think the Lion is an absolute badass (he is). You also probably grieved for what the honored 1st could’ve been before GW wrote them to all be paranoid douchebags, and can’t wait for the returned Lion to make some changes around his legion. Also, you’re extremely tone deaf, please learn to read the room yall

Salamanders:

OUT OF THE FIRE, AND UNTO THE ANVIL!

Whilst I’m more of a Blood Angel or Iron Hand myself, I have Immense respect for the sons of Vulkan. You think blacksmithing is cool as fuck and probably watch clips of Forged in Fire, or any of the various Blacksmith YouTubers there are. You also think Fire is cool, and think that Astartes should be nicer to Guardsmen in lore.

Imperial Fists:

As an Iron Warrior simp, suck my toes you Imperial Favorite. Now that that’s out of the way, the Imperial Fists is an entire legion of Engineers including you (probably). You think Emotions only make Simple things Complex and thus think as logically as life will let you, fair enough. Youre as tired of the “Imperial Fists are as cold as their home world” about as much as you are of Perturabo’s complaining, miss your genefather, and can feel the happy chemicals SURGING in your brain looking upon a reinforced defense manned by soldiers who’s only concern is holding the line.

Iron Hand:

As an Iron Hand myself, I know the “daddy issues” joke is fruit hanging lower than Ferrus Manus’s head rolling around on the floor, so I won’t. You’re a lot like an Imperial Fist, critically logical and as stalwart as Iron, but unlike imperial fists you’re allowed to have a personality! Unfortunately that Personality is tempered by a healthy dose of Trauma! Your hatred for the Emperor’s Children is just as violent as the Blood Angels and the Sons of Horus, and you pray Fulgrim gets a model so you can personally shoot him in the mouth.

White Scars:

You’re a vehicle guy, and you like going Fast. You also have a great appreciation for cultures like Feudal Japan, Ancient China, Mongolia, etc. idk what else to put here since I’ve never really… looked into their lore… (-(

Raven Guard:

You’re a quiet person, maybe you’re emo/punk, maybe you like dressing up gothic, but you’re definitely the quiet type. Whether that’s social anxiety or just a person of few words doesn’t matter too much, you vibe with the sad raven boys cuz they’re badasses. Unfortunately I cannot take those beaked helmets seriously.

Space Wolves:

I heard an explanation that I agree with once. You guys have such a rich history, a badass primarch that’s probably gonna return (eventually), and a very well developed Viking aesthetic that Is appreciated by those willing to dig into it… but to everyone on the outside you’re just a furry. And it’s kinda tragic…

Anyways, this is all just my opinion which means obviously this is Fact and should be Definitely taken as such

[secretmellowblog]

As someone who has seen 500000000 Les mis adaptations: It depends on what your friend is into, and what kind of media they generally like!

It also depends on your focus: are you looking to introduce your friend primarily to Les Amis, to Jean Valjean and Javert, or to Les Mis as a whole? (Also: consider how you got into Les Mis, and what your first adaptation was!)

my recs:

1. The 2012 film is the easiest and most accessible adaptation for a general audience, in my opinion, even for someone who isn’t a huge musical fan. (In fact, the movie kinda suffers as an adaptation for trying so hard to appeal to people don’t like musicals haha XD.)

Having tried to introduce people with other adaptations, I’ve found 2012 is the one that always grabs the people who aren’t already fans, even if they’re not super into musicals XD. The stage musical recordings are confusing to people who don’t already know the plot, even though the music is handled better. Other nonmusical adaptations are either Terrible, like the 2018 miniseries …..or they’re sadly often kind of boring to people who aren’t already huge fans of the story. Saying “72 is interesting for focusing on Marius” or “82 is interesting for featuring more of Les Amis” doesn’t interest the kind of person who doesn’t know who Marius or Les Amis are. I’ve noticed that while I can say things like “the 8 hour long 1925 silent film is the superior adaptation that captures the novel better” it’s only because I’m already emotionally invested in the story.

2012 isn’t the best adaptation but it is one of the most accessible to new viewers imho. It’s short short and conveys the emotional beats the most clearly for someone who has no pre existing familiarity with the plot of the novel. The settings are clear, the characters are clear, the general emotional thrust of the plot is clear— and there are enough fun weird choices (some good some hilariously bad) to keep people entertained even if they’re not familiar with Les Mis at all. The problem is that uhhhhh it has a lot of serious goofy flaws, mainly the director’s inability to understand how music works and the baffling cinematography choices. However the flaws are funny and it fun to talk about them during a watch party.

You say your friend doesn’t like musicals, which is fair— but If she’s willing to try 2012, try going with the “this is a very awkward goofy flawed imperfect adaptation, but it kickstarted a lot of fandom stuff and can give you a general idea of what the emotional thrust of the story is like.”

I also think 2012 is unique becayse most Les mis adaptations start out with a decent first half then fall apart after the convent time-skip, but 2012 starts out pretty meh and then gets really energized after the time-skip when the story moves to Paris.

The stage musical and recordings are what I recommend for “musical theater snobs” (affectionate) who care a lot about music being done well in a way that it isn’t in the 2012 film, and are willing to use Wikipedia or something to help themselves follow the plot. It doesn’t sound like your friend is super into musicals tho XD.

The Takahiro Arai Manga is an excellent excellent manga adaptation that everybody should read, a great loving thoughtful take on the story that deeply understands its messages and characters, and is a passion project of its writer. While it can be very over-the-top sometimes, and makes some of its own dubious changes, its probably the next best thing to reading the brick! Its really good!!! It’s split into four volumes though and will take longer to read.

(Just make sure you’re getting the Takahiro Arai manga specifically, not the other American “classics for Kidz” manga that are much poorer in quality. XD)

I think you should also show your friend 82 and watch it while explaining why you’re passionate about it�� even if it’s not the first adaptation you guys check out together.

Anyway, these are my hot takes! Also if your friend is interested in trying to tackle the novel in bite-sized pieces, the @lesmisletters readalong of Les Mis is happening again next year! ^_^

What is the best adaptation to introduce my friend to Les mis?

So like the title said I want to introduce one of my friends to Les mis bc I know she will really like it and loves the themes of the story, she agreed to let me show her an adaptation to get her into it, but idk with which adaptation I should choose to get her into it

I've heard the shoujo cousette is good and complete (I've only watched the first episode for now) but I worry it might be too long for someone completely new to Les mis? Ik the musical is probably also a solid entry point but my friend also isn't really into Musicals so I'm not sure it's the best to get her into it but I could convince her to watch it she's not that much against them, but if there's a better entry point I'll take it

My favorite adaptation is the 1982 one but it's also very strange and I'm not sure how book accurate it is compared to other adaptations so idk if it'd be a good adaptation

So I'm not sure what adaptation to show her first and would appreciate any input to with what adaptation to introduce her to Les mis!

[karebear923]

Okay I just watched the first episode of The Heart Killers!!

It is 12am now and I just know I’m gonna fall asleep standing up tomorrow 😴🪫 (today?) but gosh that was so good!! I’m not expecting much except to be entertained and that’s what I got!!

I can’t believe Style was that flirty and sassy with Fadel before his deal with Kant! Like that was just him being himself! 😄

My favorite part of the ass-grab moment wasn’t even the ass-grab. It was FirstKhao smiling at each other!!! Ooooh that got me giggling and kicking my feet more than anything!!

I love music but I always pay more attention to the official OSTs than the songs chosen for background, but this time I’m paying attention to all the songs! I gotta look some up cause there were so many good ones!

The visuals are stunning, this is looking like a big production! Sets, props, costumes, amazing! But was it just me or was the audio really bad? It sounded kinda fuzzy/echoey and it seemed to be only when they spoke, not the background music so I don’t think it was my earbuds? Idk if anyone else had that issue, I didn’t see anyone post about it.

Aaahhhh that was so good tho! I can’t wait for more!!!

[ironunderstands]

Sunday’s worldview sucks, his outlook and perception of himself and others sucks… and that’s why he’s so interesting

In honor of his drip marketing releasing tonight (or maybe yesterday for you depending on when I get this out), I’d like to talk about why I think Sunday’s beliefs and perspective is very, very flawed and how his own biases rather than the actions of those who oppose him are what led to his downfall.

Sunday is entirely responsible for his own failure, and that’s exactly why he’s incredible.

This contains mentions of leaks and spoilers for the Penacony quest line… you have been warned

To start with, oh my lord do Sunday’s preconceived notions kick him in the ass. 

I think the best example of this is his conversation with Dr. Ratio in which Ratio pretends to betray Aventurine, selling out his plan to Sunday. Now, what’s incredibly interesting about this exchange is that Ratio doesn’t fully lie to Sunday once in this exchange, rather he says half truths and makes vague statements which Sunday himself interprets as being in support of him. 

Take what Ratio said the whole, “A scholar knows their position and wouldn’t forsake it for the sake of petty pride.” In retrospect, we know this line is actually referring to Aventurine- aka Ratio is saying he’s not just going to sell him out to Sunday for the sake of information about the Stellaron (which he would get anyways if the IPC attained Penacony, plus Mr. Incredibly Dedicated Knowledge Spreader probably has other means of gaining it then through The Family). 

However, since Ratio answered the invitation Sunday gave him, Sunday assumes that Ratio is on his side, believes his cause is righteous, and that he won Ratio over with offering him information about the Stellaron, therefore making that previous statement of Ratio’s null, because Sunday interpreted it as, “convince me this is worth my time + prove to me you’re correct,” when it really meant, “there is no way in hell I’m about to sacrifice my friend to you, and there is nothing you could offer me to make me do so you crazed lunatic.”

But why did Sunday not weigh the options? Why did he unquestioningly believe his perception of the situation was the correct one?

Well- partly it’s because Ratio and Aventurine were doing their damndest to make it seem like they hate each other and that their plan was going off the rails.

But the more important part is that even without Ratio saying a word or even accepting the invitation, Sunday already believes he’d be on his side. 

Let me demonstrate this through Sunday's perspective:

I am a righteous person, I am doing the correct things, my worldview is the correct one. Dr. Ratio is also a righteous person who seems to be doing the correct things. Therefore, since we are both on the side of good, and Aventurine is clearly not on that side considering his status as Stoneheart and his negative relationship to Ratio, then Ratio will naturally want to be on my side. After all, the good guys work together, do they not?- and together will vanquish this evil villain.

This perspective is a simple one, but Sunday’s unshaking belief (up until the end of 2.2) that he is 100% in correct and in the right, that any and everyone who he also perceives to be in the right (like Ratio) would believe/side with him without truly needing to be convinced. Sunday doesn’t come out the gate offering the Stellaron information- he only keeps it as a backup just in case. 

However, this is complicated because Sunday is also not an idiot, and he’s extremely paranoid, so he’s going to make sure that the way he views the world is 100% correct on the off chance he’s wrong which could foil his plans- which is why he invited Ratio in the first place. Nevertheless, this isn’t him hunting for new perspectives, but rather him desiring to prove himself right again, which is a bad thing because Sunday is very much not right. 

A perfect world is a perfect pris- *gets shot*

Reference that approximately 2 ½ people will get beside, Sunday’s ideology that he is fully confident in.. sucks. It sucks ass, it’s terrible, and let me explain.

I’m not going to try going over all the little intricacies to how the dreamscape works because I a) don’t know and b) don’t particularly care because they aren’t relevant to the argument I will be making- which is that Sunday’s ideology is inherently flawed and immediately falls apart under scrutiny.

Essentially, he desires to create the perfect fake reality, enveloping the whole galaxy in Ena’s dream and fulfilling their every desire and whim within it, with himself as the sacrifice to allow it to exist. The seven rest days, no illness, no pain, no challenge, you get the idea. 

And, this perfect world paradoxically sucks ass because of its perfectness.

Improving society is great, eliminating hardship is great, increasing quality of life is great.

But declawing reality itself- absolutely not.

I’m going to try to explain this through my favorite strangely specific anecdote- the process of obtaining diamonds in Minecraft.

Stay with me now.

You essentially have two options- go out and mine them yourselves the hard way, which takes hours, gives you less diamonds per the amount of time spent on it, and likely with you exhausting some of your resources like food, torches, and tools which you will need to replenish.

Or.

You can just.. get them from creative mode or commands, and you can get as many as your heart desires.

However, despite the fact that option one is harder, gives you less diamonds and takes significantly more time, I, as well as hopefully you, would pick it every time (at least in a survival world, although honestly idk why you would even need pure diamonds in creative).

And that’s because the first option is rewarding. 

You did not earn the diamonds you easily and magically summoned into your inventory, there is no struggle, no journey, no challenge to it, therefore it feels entirely unremarkable, as compared to the feeling you (hopefully) get from mining diamonds, which makes you happy because you earned it. Yeah, it was harder, but the process itself is fun- the anticipation of not knowing when you’re going to find them, if at all, the danger, the fighting and digging and mauvering you will have to do in the process.

And with this unconventional example, the fatal flaw with Sunday’s ideology is revealed- it’s boring. 

It’s boring as shit.

Yeah, for the first few months or even years it might be enjoyable- having everything you could ever want served on a silver platter. However, humans are a) inherently a bit greedy and b) desire challenge, and this scenario fulfilles neither of those things. Naturally having everything means your desire for more can never be fulfilled, leaving the wanter forever unsatisfied, whereas in the real world, things are truly out of your reach, meaning that even if you never end up getting them, they are still a tangible thing just out of reach… as strange at it sounds, we like being tantalilus-ed more than you think. After all, if what you want is so easy to get, you will never run out of things to want, and eventually that gets draining. 

Continually, if everything is easy, if everything is just right there whenever you want it- existence itself no longer has stakes. 

And that’s the problem, because much like how a story with no stakes is extremely hard to find compelling, a life with no stakes feels boring at best and downright pointless and meaningless at worst.

I’m just saying, there is a reason why the Nihility was such a strong presence and problem in Penacony.

Anyways, like with the diamond problem, a lack of stakes means that nothing you do feels rewarding, because you didn’t truly earn it. 

Which is where the Sunday’s idea of a “perfect” reality falls apart, because the most enjoyable reality for humans to live in is not one literally devoid of any possible flaw.

So why does he believe in it? When it’s so clearly flawed?

Well, it’s because Sunday doesn’t think a better alternative exists.

The world made you this way.. and you chose to continue what it started.

I’m sure I don’t need to repeat the story of the Charmony Dove all over again because trust me, we’ve all heard it before. Nonetheless, it reveals something important both about Sunday’s personality and his ideology- he’s fundamentally a defeatist.

He doesn’t believe that there is any alternative for the dove, that it could ever be able to fly again with its deformed nature, so instead of being “cruel” and letting it “inevitably fall to its death,” he’d rather keep it in a cage all its life where it has no freedom, but at least it would he alive and “happy”.

And this is where his defeatism reveals itself- Sunday doesn’t believe reality itself can get better because improving it when there are so many factors and things out of your control is hard at best and impossible at worst. Therefore, he resorts to creating an escapist, false version of it- a perfect golden cage, because constructing that is far, far easier than trying to help the dove fly again. 

The universe has endless possibilities, if Robin and Sunday had tried hard enough, they probably could have found a solution. Sure, they were both children, so the capabilities necessary to even attempt that were likely far out of their reach. However, it was still possible, but Sunday doesn’t believe in possibilities- he believes he’s right above all else, which is where that stubbornness and arrogance comes into play again.

Sunday doesn’t think better solutions than his exists, and he believes everyone would could possibly stand in his noble way are either villains, or horribly misguided; so it’s his job to show them the light.

This is why he lets the Express Crew + Firefly try to change his mind- Sunday wasn’t actually interesting in shifting his perspective, or really what they wanted to say. Rather, he just wanted to let them say there peace, because well, Sunday’s a good, righteous person (at least from his perspective), and good, righteous people listen to others. Good, righteous people will let these poor, ignorant souls offer their foolish words before exposing them to the harsh truth- or at least that’s how Sunday sees it. 

Moreover, this also explains his arrogance. If he believes his worldview is the sole correct one, then why listen to anyone else? He’s this world's savior, or at least he’s been raised to believe that- so why not relish in it? He enjoys punishing Aventurine, enjoys the bastard who stood in the way of Sunday’s plans, shrinks away in “defeat” and get what he “deserves.” Despite how miserable it sounds, Sunday also takes pride in having to be a martyr to bring about his beautiful dream. The belief that he is a selfless, good person is a selfish desire of his, even if a genuine one, and it’s what leads to his downfall.

Sunday could have actually listened. He could have reevaluated his loss to Aventurine and realized it was not through the others clever deception, but through his own biases. He could have actually taken the Express’s and Firefly’s advice. He could have looked for other avenues to help the people he truly does care about. 

Despite Gopher Wood’s manipulation- Sunday’s decision to go forward with the pain is entirely his own, because he truly believes- even with all the evidence for the contrary- that he is correct.

And that’s why he fails. Not because of the Express. Not because of Ratio. Not because of Aventurine. Not because of Gopher, or even the rest of The Family.

No, Sunday fails because he is flawed, and he is wrong, and he is the arrogant, selfish and biased one, and his worldview is wrong.

So what now?

This might have seemed like I think Sunday is pure evil and irredeemable, but I think it’s quite the opposite.

He has very good intentions, and he does genuinely care about it the well being of other people around him. He gives Aventurine a chance to prove his innocence, even if he never intended on changing, he does listen to what the Express + Firefly have to say. He pauses when Robin shows up, as she’s the one person (until the very end) he’s actually willing to accept the perspective of. The whole reason he ended up here in the first place is because Gopher Wood twisted Sunday’s good intentions into a fatal arrogance and utmost belief in a flawed worldview. 

However, what really sells me on Sunday’s goodness is when eyes widen at that final moment, the light draining from him as he realizes he is wrong. 

And once Sunday realizes he is wrong, those flaws that bind him can finally be examined and improved upon, as they all stem from that worldview he no longer believes in. 

His whole life, Sunday has been enacting out someone else’s plan for him, even if he’s come to internalize it over time, at the end of the day- it was never his, and without it, he’s empty.

Which is exactly why the only place he can go now is the Express, and the only thing left for him is redemption and growth.

Dan Heng is right- Sunday has a noble soul, and now that he has stopped believing in himself, he’s no longer shackled by the past either. Improvement or utter demise (in a likely nihility-flavored manner) are his only options remaining.

I understand a lot of people want to see him become a Stellaron Hunter, but imo, that just does nothing for him. He’d still be following someone else’s path/script, and Mr. I Will Sacrifice My Whole Existence To Become The Sun To Illuminate These Wandering Souls probably wouldn’t be so on board with the whole.. terrorism part of being a SH. Like yeah, they are our friends (kinda), but they absolutely kill innocent people and cause millions of dollars in property damage to people who don’t deserve it. 

Also, being on the Express Just Makes Sense. This is a game about choices, a game about accepting the mistakes of your past, but not letting them define you in order to move on and forge a better future for yourself and others- with the Astral Express + Trailblaze as a concept being the literal embodiment of it. There’s a reason when you switch to the Trailblazer’s POV in stories, it includes Kafka’s most important words to us- “When you have the chance to make a choice, make one you won’t regret.”

Therefore, I hope the choices Sunday will make in 2.7 are ones he’s proud of, and I can’t wait to see how exactly they get him on board with the crew, because there still is a LOT of development he needs to do before then. 

Anyways, thank you so much for reading, and if you have any thoughts I’d love to hear them. This was a stream of consciousness mess, but I hope it was still valuable nonetheless! Also if you are reading this on the day it was written, I hope we don’t get disappointed by his drip marketing!

[xskyll]

Page 15, for the second time! Apologies to those that saw the version I posted last night with the typo. My days lately have been busy, so sometimes I feel a bit brain foggy. A couple of people left comments on either here or Twitter and it killed me to delete everything. ;_;

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[hallwyeoo]

Ellie’s memory of the golfing scene and what it tells us about her.

🚨spoilers for tlou2🚨

I think Ellie’s flashback to Joel’s death is very telling of how she internalized the event and the meaning she applied to his death. It’s also a good demonstration of her relationship to autonomy. Let’s break down the elements that were inconsistent with the actual event:

The stairs/hallway are much longer than they were. This suggests a sense of helplessness, an inability to get there fast enough. Joel is constantly out of reach.

There is blood on the floor outside of the door. Not entirely certain on this one but my hunch is that she blames herself for not seeing more obvious signs of violence/not knowing something was wrong sooner.

The door is locked, another roadblock in her path to Joel. She can’t access him, she can’t help, he needs her and she isn’t there.

Most importantly. Joel yells “Ellie, help me” (which he didn’t in the actual scene, he just screams. He doesn’t say a word in the actual scene)

Ellie hearing Joel scream for her help, calling for her while being horribly beaten, and her being repeatedly impeded on her way to him suggests that what she took away from his death is that she wasn’t enough. They always helped each other, always had each others backs, always got up. Ellie views his death as a failure. She was too slow, too weak, not smart enough to save him. She failed him when he needed her most. She is absolutely helpless to save him, just like she was helpless to save Riley, Tess, Sam, and Jessie (and Marlene, and humanity, and and and-).

Once again, Ellie makes a decision (staying with Riley, going to the fireflies, staying with Joel, being the cure, trying to forgive Joel) and once again her autonomy and ability to find closure is ripped from her.

This is the inciting incident of tlou pt2, this is the moment where Ellie’s whole world shatters the same way Joel’s did at the start of pt1. Ellie enters into the same cycle (which I like to call the “Joel cycle” because… yeah.) that he did, and throughout pt2 she stays in the “20 years later” phase of the cycle. She is changed, she has lost her light, lost what she fought for. She lost her chance to genuinely forgive Joel and rebuild their relationship. She is stuck in a gruelling and violent world that she has no anchor in, at least not anymore. His death is so sudden and so incredibly violent that it practically gave her (and me as well, tbh) whiplash. She’s in a state of total shock.

On another devastating note, this is one of the three times in tlou that we see Ellie beg (that I remember). The first is begging Joel to get up at the university of Eastern Colorado, the second is begging him to get up and for Abby to stop, and the third is begging Abby to not kill Dina because she’s pregnant. (Two times she begs Joel to get up, one time he doesn’t. Two times she begs Abby to spare her family and one time she does. What a beautifully haunting contrast)

To wrap up, every person creates an internal narrative, a story of their life that is crafted from their context and lived experiences. The meaning we derive from those experiences doesn’t always reflect the truth, and that can sometimes bite us in the ass majorly when we experience a traumatic event. We tend to want to find someone or something to assign blame to, some reason or rationale to why it happened. We tell stories. We write them in our minds about ourselves and what happens to us and what that says about us.

But Ellie is wrong. Joel’s death happened in response to a conscious and willing choice he made. It is in no way her fault, and there was absolutely no way for her to know or to stop what was happening. I think Ellie knows that much on an intellectual level, It just doesn’t change how devastated she is over the whole event. It can’t change the fact that she FEELS as though this was all her fault, that Joel did what he did to save her, that she could have saved him. That she should have.

[everywaythatmatters]

Wheel of time season two is so fun so far oh my god the actors are absolutely killing it!!!! I adore Dónal Finn’s Mat and the weaves look amazing and Rand wearing the red coat and literally everything about Egwene and Elayne and Nynaeve is just sooooo good

[reflectionsofgalaxies]

A story in images. @sangoundercover dropped new art today and broke a good portion of WN Twitter. I love Cheska very much, she’s hilarious and so sweet.

[tequatls-favorite-spoon]

my art from the na vs art party!! took me a lil bit cuz i wanted to color it and that meant cleaning up the sketches and then i wanted to shade them and hajsksldhaflk

the characters from left to right:

Quinn Teeling - @sunsrefuge

Ambrose Wolfsbane - @commander-gloryforge

Finnegän - @pinecone-enthusiast

Astrëllä - @ohpollenpowder

[apostaterevolutionary]

You know what would be really funny, is if people came together to have an anti-crab day. A day where every user who joined prior to automattic’s acquisition logged off for 24 hours to show that yes, actually, older user retention is important and you should listen us just as much as new users

The users giveth, the users taketh away

[devilsskettle]

i feel like i’ve been WAITING for the other shoe to drop wrt people’s opinions about watcher for this very reason. not that i think the reaction is completely not understandable but the greater the parasocial relationship, the greater the fallout as soon as public opinion shifts. you don’t have a relationship with these people they’re just content creators, chill